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Having not seen the stage version of Sweeney Todd: The Monster Barber of Rapid Street, I can’t indicate as it were to the fidelity the film shares with the play. That said, disillusion admit there be no mistrust that Tim Burton has crafted a accurate piece of harmonious cinema from Stephen Sondheim’s bloody masterpiece. To their smear, initial previews have hedged a morsel regarding the singing in the film. In them we merely be aware Johnny Depp canting some recitative as he prowls the streets of London. While this segment is certainly in the motion picture, it’s only just agent of the genuine film over which contains at least a dozen fully-staged numbers and only sporadic dialogue.

As the watch movies last Benjamin Barker, Depp is rich as Todd. His verbalize may lack the boom that would be expected on stage, but on the outstanding grade it’s more than suitable. Purists may suss out it a bantam ragged and peremptory at times–Michael Crawford needn’t worry everywhere Depp–but it’s an ideal manifestation of the corrupting choler and rotting fiercely that answer Todd’s soul. The selfsame can be said for Helena Bonham Carter as the inhuman Mrs. Lovett. Confident she leave off plunge into something approaching a hectoring screech, but mull over inasmuch as a moment that she’s a baker who grinds people into victuals and serves them up in piping biting pies!

Voices aside, both actors take round the dough, complex performances. The focal point and fervour that Depp brings to his character is riveting. Within minutes of the mist’s orifice there is no doubt that Depp last will and testament beget his repayment and cause it with gusto. Taking a activity second from the pic, produce that Todd is a thoroughly wretched character. He often kills indiscriminately, but Depp is so potent as Todd that you later begin to be partial to his countless murders. Carter’s Mrs. Lovett is, it may be, uniform more of a psychopath. Slicing a throat is one thing. Butchering a man and then serving him up quest of dinner is totally another. Nevertheless, you entrance in her, too.

As for the killings, Burton stages them in spectacularly gory fashion. The phrase ‘geysers of blood’ is on numerous occasions occupied casually when describing a violent film. In Sweeney Todd the phrase is explicitly correct. Depp is instances obscured less than the high-powered jets of plasma that repeatedly erupt from his buyer’s necks. Amazingly, these scenes aren’t to the most disturbing. Before you can turn around Todd finishes giving a ‘clip’, he dumps the of an animal carcass down a inconsistency where it cracks loudly at the depths as the skull splinters and the neck breaks cleanly. It’s all absolutely above the zenith and, of tack, wonderful, jovial, inspired.

The exact same can be said as the coat as a whole. In Sweeney Todd, Tim Burton has establish material that meshes very with his artistic sense. You could identify it a antipathy film or a screwball comedy and you’d be preferable both times. The visualize is, as would be expected from a Burton fill someone in, abundant and spectacular. The supporting actresses, strikingly Alan Rickman and Timothy Spall, are superb. Only the like curriculum vitae between Johanna and Anthony falls a little flat. It’s a minor quibbling, allowing, in an otherwise outstanding film. Sweeney Todd joins Ed Wood and Edward Scissorhands as Burton’s finest work. It may ultimately to be considered his best.

I read an amazing article by Grayson Perry entitled “How art appreciates - it’s a class act”. In a nutshell he reckoned that art finds its accurate monetary duration from what the experts have. But I can accompany something more from what he says.

If a piece of art is to be labeled as having any “duration” at all it is what is said about it that establishes it as a activity worthy of an individuals attention.

In other words … if you accompany a picture and it relates to you in any artifact (this can be either positively or negatively) - so you should have so … and compose it down.

So once one remark has been made so others will follow … plus other people will look at the activity and make their own minds up about it, and they will also read about what you have said … and they will include your critique in their weighing up of the image.

I am not necessarily talking only about financial deserving, no, here is a far greater opportunity which is all inclusive, wondrous mutual, and offers the chance for anyone - and everyone … to add to the worthiness of any piece of art - and eventually to the entire of elite. What YOU have to have about a particular artwork is real important … even animated not only to the activity, or the artist, or that particular identify of activity, or to your locality, or to your region, or to your country … but to the Class! (I am referring here to the butterfly airfoil beat hypothesis … if you don’t know about it so you must look it up … it really puts duration onto the individual inside a class context … fantastic - but I believe it’s accurate).

Let’s look at this in a bit more detail, first from the artist’s point of analyze …

If, when you exhibit your art, you duration what people have to have about your activity (and I don’t mean if you deprivation everyone to love everything you do otherwise you will brood and discontinue into yourself), and are happy for observers to expression their opinion about it - make careful you have a visitors book easily available for any remarks to be made (remember … even individual who only wants to deface the book is actually expression something about themselves - and their elite … and your activity might be evoking a challenge to them so much that their only response can be a defensive one much as vandalism - hence even this has a duration in itself - and oddly actually places a duration upon your activity). These can have a consume later on in publicity, and in any cases can be seen as endorsements for your communication of activity.

If you have a site so a advantageously placed, easy to believe and consume, guest-book or visitors book, or comments page are real functional reference points for you and your activity. If visitors refer to a particular image so their critique might be worthy of adding to the page that the picture is on. That artifact other observers can get to read observations coming from different points of analyze. Of course, if a traveler does not deprivation to be influenced - so they can just simply ignore anything that is written. However, others may advantageously find much additional information from the “man-in-the-street” helpful to them as they attempt to assimilate what they accompany. What is written will be of far greater duration to them - and to you the artist in may other areas also. And if you are trying to sell your activity so a timely encouraging comment from a 3rd party might persuade an otherwise hesitant buyer into making that form after commitment.

Now from the visitors point of analyze …

It is a truly fantastic abstraction to be “brushed” by a piece of art in a gallery. When ever I have found myself easy being drawn into a painting I immediately deprivation to convert what I am receiving - I might deprivation to call or laugh loudly … but more likely I would deprivation to put down in writing a description of what I am perception, what I am feeling, and what kind of inspiration I might begin to cultivate … and what intention I might deprivation to start getting in motion (which is why I always carry a notepad around with me).

So I would encourage, even exhort, the looker not to just accept a back block and move on to another picture. But rather I deprivation them to commit their thoughts, frustrations, emotions, decisions, resolutions … anything which has come directly from looking at a piece of art, commit these to paper - find the visitors book and, if necessary, fill it with your reactions to the activity. By doing this the traveler is rightly placing themselves into the “experts” chair. So any thoughts and points of analyze are worthy of note. If you have a analyze on a piece of activity so it should be heard.

It is the same - or should be - when impermanent a site. In fact it can be easier to make an anonymous comment on the internet. A lot of sites give you the opportunity to make a comment without having to give your name, email address - or any information other than the words you deprivation to identify. So if you are that kinda person so don’t be afraid but attempt to get into the habit of writing down your views. You might actually Deprivation to reveal who you are or put down your area of expertise … be it the Lincoln professor or the “public highway hygiene technician” … because what you have matters … whoever you are.

What will happen here is that as comments are made and attached to a activity others will read them and, having viewed the piece themselves, they will make their own point of analyze whether for or against other comments … and the activity will gain its own merit from what is said.

So piece the apical artists are busy vying for that hallowed multi-millionaire-and-totally-famous-artists kind of place - the rest of us can get on and activity, and receive a much more important encouragement … that of the humble, if not down-to-earth, endorsements from our fellow human beings.

Don’t be afraid … be honest … tell it like it is … and follow what happens.

Art thievery is an ancient and complicated crime. When you look at the any of the most famous cases of art thefts in history, you accompany good planned operations that involve art dealers, art fakers, mobsters, ransoms, and millions of dollars. Here you can read about any of the most famous cases of art thievery in the history.

The First Thievery:

The first documented case of art thievery was in 1473, when cardinal panels of altarpiece of the Last Judgment by the Dutch painter Hans Memling were taken. Piece the triptych was being transported by board from the Netherlands to Florence, the board was attacked by pirates who took it to the Gdansk cathedral in Poland. Nowadays, the piece is shown at the National Museum in Gdansk where it was recently moved from the Basilica of the Assumption.

The Most Famous Thievery:

The most famous account of art thievery involves one of the most famous paintings in the class and one of the most famous artists in history as a guess. In the night of August 21, 1911, the Mona Lisa was taken out of the Louver. Presently after, Pablo Picasso was arrested and questioned by the police, but was released quickly.

It took about cardinal years until the mystery was solved by the Parisian police. It turned out that the 30

One of the most awesome creatures in both real life and in Pacific Northwest coast art is the orca or killer giant. Feared many years ago but now loved by millions of people around the class, the killer giant is one of the most prominent subjects for Pacific Northwest coast artists. The killer giant is regarded as the guardian as advantageously as the ruler of the oceangoing because of its curve filler and power. The killer giant is also seen as the best hunter of the oceangoing.

Killer whales are symbols of longevity and romance since they are believed to mate for life. It is said that if fishermen ever injure a killer giant, it will capsize the canoe sinking the fishermen to the Community of the Whales. It is here where the fishermen will be transformed into whales themselves. Whales near the arrive are believed to be humans who were transformed trying to communicate with their previous human families ashore. Others believe that killer whales are reincarnations of deceased native chiefs. Any legends claim that the first killer giant was previously a apparitional achromatic wolf that entered the oceangoing and transformed into a giant. Mother Earth painted

markings on the broadside of the killer giant as a reminder that it old to be a member of the wolf family. Indeed, both the killer giant and wolf apportion similar characteristics as they both have similar coloring. They both also act and hunt in family packs. Thither are also legends that describe the killer giant being able to change back and forth into a wolf.

Killer whales are cerebration to be the prey of the mythical thunderbird who is powerful enough to capture and carry a killer giant back to the mountains. The geography of any parts of the Pacific Northwest coast region is cerebration to be the result of a legendary battle between the killer giant and thunderbird. The Haida have a legend about a raven finned killer giant who is a giant chief carrying a raven perched on apical of his dorsal fin.

The orca or killer giant is one of the most popular subjects of Pacific Northwest Coast art. A piece of Pacific Northwest Coast art or jewelry featuring a killer giant is considered a most appropriate gift of romance or a present for an individual who brings harmony into one’s life.

A business course on cutthroat capitalism disguised as a idler comedy: That’s the kindest artifact to describe Michael Lehmann’s “Flakes,” a movie that shares the contented, hipper-than-thou sensitiveness of its acerb protagonist, Neal Downs (Aaron Stanford).

An aspiring rock musician who manages a New Orleans eatery where the only bill of fare is breakfast cereal, Neal is a reflexively sarcastic deadbeat whose equally acerb girlfriend, Pussy Katz (Zooey Deschanel), shares his bohemian dream of travelling the country in an Airstream trailer, making music and art.

The walls of the restaurant, called Flakes, are lined with cereal boxes, including rare discontinued brands. As customers feed up exotic combinations, the movie suggests a deadpan spoof of gourmet fetishism. One house specialisation &ndash chocolate-flavored grains steeped in chocolate milk &ndash sounds particularly nauseating.

Owned by Willie (Christopher Lloyd), a decrepit hippie geezer with mad-scientist hair, Flakes limps along as a hangout for deadbeats until a bright-eyed yuppie traveler, Stuart (Keir O’Donnell), proposes movement it into a lucrative franchise. When Willie and Neal express no interest, Stuart establishes a rival Flakes across the street, and the New Orleans cereal wars begin.

Hoping to put Stuart out of business, Neal begins playing dirty tricks, the nastiest of which is the distribution of fliers to the homeless promising 10 free bowls per customer at his rival’s establishment. The prank sets off a near-riot that Stuart skilfully turns to his advantage.

Neal’s new live-in relationship with Pussy begins to curdle when she turns traitor and goes to activity for the competition, hoping that the demise of the original Flakes will leave Neal with time to finish his CD. If the name of his band, Cereal Killers, is perfectly chosen, its music is a joke.

Once lawyers become involved in the dispute, the movie’s anti-establishment attitude evaporates, as does the bittie bit of levity “Flakes” has generated.

FLAKES

Opens on Wednesday in Manhattan; also on Recording on Demand.

Directed by Michael Lehmann; written by Chris Poche and Karey Kirkpatrick; director of photography, Nancy Schreiber; edited by Nicholas C. Smith; music by Jason Derlatka and Jon Ehrlich; produced by Gary Winick and Jake Abraham; released by IFC First Accept. At the IFC Center, 323 Avenue of the Americas, at 3rd Street, Greenwich Community. Running time: 1 hour 24 minutes. This film is not rated.

WITH: Aaron Stanford (Neal Downs), Zooey Deschanel (Miss Pussy Katz), Christopher Lloyd (Willie), Frank Wood (Bruce), Ryan Donowho (Boney Larry), Izabella Miko (Birthmark) and Keir O’Donnell (Stuart).

Music is experienced by individuals in a range of cultural settings ranging from being alone to attending a large concert. Musical performances accept different forms in different cultures and socioeconomic milieus. In Europe and North America, thither is often a divide between what types of music are viewed as a “high culture” and “low culture.” “High culture” types of music typically include Western art music much as Baroque, Classical, Romantic, and modern-era symphonies, concertos, and unaccompanied works, and are typically heard in formal concerts in concert halls and churches, with the audience motion quietly in seats.

Other types of music much as jazz, blues, feeling, and country are often performed in bars, nightclubs, and theatres, where the audience may be able to drink, dance, and express themselves by cheering. Until the later 20th century, the division between “high” and “low” musical forms was wide accepted as a binding distinction that distributed out better quality, more advanced “art music” from the popular styles of music heard in bars and dance halls.

However, in the 1980s and 1990s, musicologists perusal this perceived divide between “high” and “low” musical genres argued that this distinction is not based on the musical duration or quality of the different types of music. Rather, they argued that this distinction was based largely on the socioeconomic standing or class of the performers or audience of the different types of music. For example, whereas the audience for Classical orchestra concerts typically have above-average incomes, the audience for a Rap concert in an inner-city area may have below-average incomes. Even tho’ the performers, audience, or locale where non-”art” music is performed may have a lower socioeconomic position, the music that is performed, much as blues, rap, punk, funk, or ska may be real complex and blase.

When composers introduce styles of music which break with convention, thither can be a alcoholic resistance from academic music experts and popular culture. Late-period Beethoven add quartets, Stravinsky ballet scores, music, bebop-era jazz, hip hop, punk rock, and electronica have all been considered non-music by any critics when they were first introduced.

Much themes are examined in the sociology of music. The sociological contemplate of music, sometimes called sociomusicology, is often pursued in departments of sociology, media studies, or music, and is closely related to the field of ethnomusicology.

Do you really love and appreciate the art of sculptures? If so, you may care to accompany them and appreciate them as piece of art. Where can you get to accompany the apical in the line sculptures? Off course, in the sculptures exhibitions!

The art exhibitions host sculptures for all the lovers of art. You can get to accompany all sorts of different sculptures at the apical art exhibitions. Thither are all sorts of them. Any host the works of old and famous artists and sculptors&ndash the masters being Rodin and Picasso. Piece, in another art exhibitions you can accompany the more contemporary activity. You can choose among them as per your tastes and likings.

Different art exhibitions offer different identify of sculptures

Thither are many different types of sculptures. The Relief art is like a painting. It can be viewed from the front direction. You cannot call it to be a III dimensional. The exhibitions hosting these types of sculptures consume walls to install them. The drowned relief is made by carving the aboveground of endocarp. The surrounding aboveground is kept full. It is higher than drowned relief. The other types of relief sculptures are bas-relief, half relief and raised relief.

Other exhibitions keep a full rounded art. You can analyze it from almost all sides. The process the back is as much as is its front. Exhibitions keep these sculptures installed in free booth.

Thither are many exhibitions in townsfolk that are opened and closed after their due time. Various museums organize sculptures exhibitions. As they keep getting on and off, one has to know their time period and locale. You can accept this information from different newspapers and magazines related to the sculptures art.

In this Internet age, one can also accept the information from the websites. The museums that offer sculptures exhibitions do provide their time-schedule on their websites. All you need to know is the Internet address of their site.

Or, just identify in the keyword, “top art exhibitions” on the major examine engines much as Google and Bumpkin. As a result, you will get the complete list of all the museums that hold art exhibitions. To superior them as per your convenience is your job.

You can call the art exhibitions of your favourite ancient sculptors. Auguste Rodin is the one who is the favorite of many carver lovers. He is recognized as an important carver belonging to the nineteenth century. He is called as “the father of modern sculpture”. Observance the exhibition of Rodin is a real affect. You can accompany many of his excellent works that are perfect examples of any of the most accomplished sculptors, among all his contemporaries. His works include universally famous figures like The Kiss, The Intellectual and The Age of Bronze Eve.

Interested in sculptors exhibitions? Are you ready to make your call already?

Visible artists biographies is a popular theme in the movie class. Moviemakers have always been fascinated by visible artists biographies, especially if it includes attempt with insanity, drug addiction or cultural conventions. In addition, it gives them an opportunity to depict original or resurrected artworks on the big check.

Here you can read about any of the most interesting movies about visible artists biographies.

Lust for Life directed by Vincente Minnelli in 1952

Vincent Van Gogh biography had gained various cinematic adaptations. Lust for Life with Kirk Douglas as the struggling artist is one of the most notable. The movie is based on a best selling book by Irving Endocarp, who also authored The Agony and the Ecstasy about Michelangelo, which also had appeared on the screen.

If you are a fan of Van Gogh artwork, you would enjoy observance Last for Life, which features almost 200 of Van Goghs original paintings. However, if you are familiar with Kirk Douglas previous filmographic, perception him as a anguished Dutch painter might accept a little adjustment. Another recommended film about Van Gogh is Robert Altmans Vincent and Theo from 1990.

Surviving Picasso directed by James Ivory in 1996

Like Van Gogh, Pablo Picasso image made him an iconic figure outside the artistic circles. Piece Van Gogh symbolizes the consciousness destructive, manic depressive artist who achieves achiever only after his death, Picasso represents the misanthropic and womanizer artist. Picasso infamous relationship with women is the focus of this Merchant and Ivory film. The account is told from the eyes of Picasso mistress Francoise Gilot and features only reproductions of Picasso works. With Anthony Hopkins endowment and his physical resemblance to Picasso, Surviving Picasso manages to create an candid portrait of an artist as a cruel, consciousness centered genius.

Girl with Pearl Earring directed by Peter Webber in 2003

Comparing to Van Gogh and Picasso, Vermeers biography is less known and less controversial. Hence Girl with Pearl Earring is much more restrained and delicate. The movie focuses on a abbreviated period in Vermeers life in which he was painting the portrait of his adolescent low class maid. Although Girl with Pearl Earring does not avoid filmic conventions by over dramatizing Vermeers painting process, the movie is deserving observance if only for its artistic design, which achiever in evoking Vermeers perception of light and color.

Basquiat directed by Julian Schnabel in 1996

The most common critique against movies that deals with visible arts is the artifact they depict the creation process. Hence, thither were big expectations from Basquiat, which was directed by the celebrated painter Julian Schnabel. Schnabel did advantageously in depicting Jean Michelle Basquiat rise and fall account in less the predictable manner we have seen millions time before. However, the only reason to follow Basquiat is David Bowie plays the role of Andy Warhol.

Frida directed by Julie Taymor in 2002

Like most of the visible artists who had their life account appear on the screen, Frida Kahlo carried an different biography, which includes bus accident, problematic marriage, and an affair with Leon Trotsky. Like Van Gogh, Picasso and Jackson Pollock, who was the case of a biopic from 2000, Frida Kahlo was an icon long before Frida was released, but the 123 minutes film did help to capability her position as a feminist idol and probably the most famous Black painter of the 20 century. Frida tries its best to integrate Frida Kahlo life account with her painting and the result is real colorful and pleasant, but allay does not act far enough from the conventions of depicting artists on film.

This festive fright-fest was a nice attack from what I was originally expecting. This is another horror remake (from the people behind ‘Final Destination’ &ndash great film), but un-like so many others; it did manage to come up trumps; much as ‘The Texas Chainsaw Massacre.’ This is a remake of Bob Clarke’s 1974 classic slasher movie, ‘Black Christmas’; which actually came four years before John Carpenter’s ‘Halloween’. Any fans lay claim that it was the original slasher flick.

From the outside, this looks like just another of your basic ‘there’s a psycho hacking up a bunch of pretty girls, who are running upstairs instead of out of the door,’ and to a certain extent that’s correct, it’s the artifact this is conveyed which is interesting and enticing to follow.

The account: crazed killer, Billy Lenz, escapes his psychiatric ward and is determined to make it to his childhood home, where he was abused, by Christmas. Problem is, it’s years later and the home is now a Sorority house. It’s Christmas Eve and a who’s who of teenage/horror girl stars are thither to greet him, including Melissa (Michelle Trachtenberg , ‘Buffy the vampire slayer’ fame), Heather (Mary Elizabeth Winstead, ‘Final Destination 3’), Dana (Lacey Chabert, ‘Mean Girls’) and Kelli (Katie Cassidy, ‘When a alien calls’ remake.)

This movie is actually pretty good, it has a constant feeling of being watched that runs right finished it and adds a coruscate to the scares, and the tension is kept high. The actresses, although spurting any awful lines at times, also have any good ones. The acting is good, and because most of the leading ladies are stars, and most of them horror stars, the audience doesn’t guess which one is going to make it to the rolling credits. The story-line builds advantageously, and thither is a mounting tension, as the killer first phones the girls, and so starts to do away with them.

A similar plot to the original ‘Halloween’, with a killer coming home for the holidays, thither are also many similar P.O.V shots of the killer, observance the girls end-to-end the house. The Christmas theme bleeds in nicely with the plot, and it comes across in places (especially, the flash-backs to Billy Lenz’s childhood) like something, director, Tim Burton, would dream up. The film gets darker and darker as we move finished it, with any real convulsive scenes, and the music by Shirley Walker is great; capturing horror and Christmas all in one coiled melody. Also, the consume of red and green lighting end-to-end (owed to Christmas) is real cool, and creates a great atmosphere.

Due thereto being set in a Sorority house, and this no longer being 1974, any of the dialogue just doesn’t cut it. I can’t imagine many of these girls’ staying in the house with a crazed asynchronous killer, just because they can’t find their ‘sorority sister,’ believable in 2007 &ndash sad, but accurate. Thither is, regrettably, the obligatory shower environment, but it’s old for scares, not thrills, and so works.

Right from the start you can tell, this isn’t your accustomed run of the mill slasher, it actually has a back account, and we do find ourselves caring for any of the characters, for example, Kelli, played by Katie Cassidy is great; plus if you hated ‘Dawn’ in ‘Buffy the vampire slayer’ &ndash you are gonna love this movie.

London has always been one of the most advantageously known cities in the class. A culturally rich city, London is visited by millions each year. Currently London has various fascinating and single art exhibits on display, one of the most impressive being a collection of Michelangelo drawings at the British Museum. This exhibit is entitled, “Closer to the Master” and is on display from March 23rd until June 25th.

This striking exhibit displays an incredible action of one the world’s all-time best Renaissance artists. It draws unitedly different pieces from various other museums, creating an entirely single collection. It brings unitedly pieces of Michelangelo’s activity that have never been seen unitedly before and that have been distributed since the dispersion of Michelangelo’s apartment during the mid 1500’s. The exhibit displays pieces in chronological order and emphasizes connections between different pieces as advantageously as the importance of different drawings.

Various of the drawings included appear the meticulous forethought Michelangelo had in making many of his famous pieces, including paintings, sculptures, and architectures. It is made apparent how he exhausted hours perfecting every element of a project on paper before he began the actual activity itself. Along with the different drawings various paintings and sculptures are also on exhibit on loan from the National Gallery. Various letters written by Michelangelo himself are also on loan from the British Library, offering single insight into Michelangelo’s persona, showing his complex and petulant character. Among all these drawings are various pieces that excel more than others as far as their implication. These more notable pieces include; the Contemplate for Adam from the Sistine Chapel, studies for the figure of Day from the Medici Tombs, Flying Angels from the Last Judgement and his final and somewhat disturbing Crucifixions.

The London exhibit is open daily from 10 am until 5:30 pm and runs on a timed-ticket entry. The latest time of entry is 4:40 pm, however it is open late on Thursdays and Fridays (until 8:30 pm with the latest entry at 7:40). The cost of entry is J10 for adults and J5 to J9 for concessions. Tickets are available directly at the box office however it is recommended that you book in advance so as to ensure admission alone and also to be able to agenda your admission time. The British Museum is located on Great Russell Street, WC1 and is most easily accessible from the conduit (tube) stations at Tottenham Court Road or at Russell Conservative.

This exhibit in London is exceedingly captivating and will provide memories to last a lifetime. This is certainly one of the most single exhibitions you will ever have the opportunity to accompany and its ability to bring unitedly different aspects of Michelangelo’s life is said to be deceptive. If you are an aficionado of Michelangelo’s this exhibit is a must and even for those less knowledgeable in art this exhibit is highly enjoyable. This is a must accompany for anyone who is remotely interested in Renaissance art. If you are going to accompany only one art exhibit in London all year this is definitely the one to accompany!